A professional metronome with odd meters, subdivisions, per-beat accents and a built-in speed trainer. No app, no signup – and timing that stays rock-solid even in a background tab.

Most basic web metronomes fire each click from an ordinary browser timer – which is why they stutter when the computer is busy or the tab is hidden. Here, every click is scheduled in advance on the sound card's own clock (Web Audio), a fraction of a second before it plays, with single-sample precision. The result is perfectly even spacing, whether you're at 300 BPM with sixteenths or reading a chart in another tab.
Your last settings – tempo, meter, subdivision, sound, volume and accents – are saved in your browser and waiting for you next time. Nothing is sent to a server.

Good teachers start every exercise with a count-in and a slow click. This metronome is built for exactly that work.
These are typical ranges, not rules. Still, anyone playing in a band should know them almost by heart, and they're part of the foundation in any serious drum lessons: when the singer says "rock, but not too fast", the drummer should be counting in around 120 without thinking twice.
| Style | Typical BPM | Meter and feel | Suggested setting |
|---|---|---|---|
| Ballad, slow soul | 60–80 | 4/4, soft eighths | 4/4 + eighths |
| Reggae | 60–90 | 4/4, weight on beat 3 (one drop) | Accent beat 3 only |
| Hip-hop (boom bap) | 85–100 | 4/4, lightly swung sixteenths | 4/4 + sixteenths |
| Funk | 90–115 | 4/4, tight sixteenths | Sixteenths, accent 2 and 4 |
| Pop | 100–130 | 4/4 | Quarters or eighths |
| Rock | 110–140 | 4/4, straight eighths | 4/4 + eighths |
| Disco, house | 115–128 | 4/4, kick on every beat | Quarters, Bell sound |
| Trap | 130–160 | Felt in half-time (65–80) | Half the BPM + sixteenths |
| Swing jazz | 120–240 | 4/4, swung eighths | Triplets, click on 2 and 4 |
| Blues shuffle | 60–100 | 12/8, or 4/4 with a triplet feel | 4/4 + triplets |
| Waltz | 84–96 (Viennese: about 180) | 3/4 | 3/4, quarters |
| Punk rock | 160–200 | 4/4, driving eighths | Quarters only |
| Drum and bass | 160–180 | 4/4, often felt in half-time | 4/4 + eighths |
In 6/8, 7/8, 9/8 and 12/8, every click is an eighth note, and the BPM refers to eighths. A 6/8 song where the dotted quarter (the beat you actually feel) is 60 should be set to 180 BPM. A slow 12/8 blues with a pulse of 70? Set 210 in 12/8 – or 70 in 4/4 with triplets. Same grid, fewer accented clicks.
In 7/8 the default grouping is 2+2+3. Want 3+2+2, as in a lot of Balkan and progressive music? Accent beats 1, 4 and 6 and set 3 and 5 back to normal. In 5/4 (the meter of "Take Five") only the downbeat is accented; add an accent on beat 4 for a 3+2 feel.
| Marking | Approx. BPM | Meaning |
|---|---|---|
| Largo | 40–60 | Broad, very slow |
| Adagio | 66–76 | Slow, at ease |
| Andante | 76–108 | At a walking pace |
| Moderato | 108–120 | Moderate |
| Allegro | 120–156 | Fast and bright |
| Vivace | 156–176 | Lively |
| Presto | 176–200 | Very fast |
Sources and composers don't always agree on these ranges; when the score gives an explicit number (say ♩=92), the number wins over the word.
Speed is a by-product of accuracy and relaxation, not willpower. So you don't start at the tempo you want to reach – you start at the tempo where you're already clean. It's the same method teachers use on every instrument, from scale work in guitar lessons to études in piano lessons for kids and adults.
| Week | Trainer range | Setting | Goal |
|---|---|---|---|
| 1 | 70 → 100 | +2 every 4 bars | Clean, relaxed playing at a familiar tempo |
| 2 | 80 → 105 | +3 every 4 bars | Carefully cross your base tempo |
| 3 | 85 → 110 | +5 every 4 bars | Stability at the new tempo |
| 4 | 110, fixed | Trainer off, click on 2 and 4 only | Check that your time holds without help |
Ten to fifteen minutes a day on one passage is enough. For how to fit this into a complete session, see our 20-minute daily practice routine.
Chasing the number. A messy 140 is worth less than a clean 110. Three clean repetitions beat a one-off record.
Playing louder than the click. If you can't hear the metronome, either you're dead on it or you're playing too loud. Set the volume so the click is clearly audible over your instrument.
Skipping slow tempos. At 50 BPM there's nowhere to hide. Add eighths or sixteenths so the long gaps between clicks don't tempt you to rush.
Bluetooth headphones. They add a fixed delay: the clicks are still evenly spaced, but they arrive late and pull you behind the beat. Use wired headphones or a speaker.
Using the click only for exercises. Play whole songs to a click too. That's how studio sessions work, and plenty of bands discover this way that their chorus speeds up. More on that in our golden rules for playing in a band.
And before you start a click for guitar practice, make sure you're in tune – our online guitar tuner runs in the same browser with the same attention to accuracy.
BPM stands for beats per minute: 60 BPM is one beat per second, 120 is two. To find a song's tempo, play it and hit "Tap tempo" (or T) along with the beat 4–6 times. The tool shows the BPM along with the matching tempo marking.
Find the tempo at which you can play the passage three times in a row without a mistake, then start 20–30% below it. For beginners that's usually somewhere between 60 and 80 BPM. From there, build up gradually with the speed trainer.
Yes. Clicks are scheduled on the sound card's clock rather than a page timer, so they stay even when the tab is in the background. On phones, locking the screen may stop the sound in some browsers, so keep the screen on while you practice.
Yes. Choose the Bell or Beep sound, which cut through a drum kit, turn the volume up and use closed-back or in-ear headphones. A particularly useful setting for drummers is a click on 2 and 4 only, so you practice your backbeat against it.
In these meters every click is an eighth note, and the BPM refers to eighths. If the felt beat (the dotted quarter) is 60, set 180. Alternatively, use 4/4 or 2/4 with triplet subdivision, which gives you exactly the same feel.
Rockstar music school is in Ramat Aviv Gimel, a short drive from Neve Avivim, Afeka, Tzahala, Tel Baruch and Ramat HaHayal. We offer drum lessons in North Tel Aviv for kids, teens and adults, as well as lessons at your home in nearby neighborhoods, subject to teacher availability. More in our guide to music lessons in Ramat Aviv.
Every Rockstar tool runs right in your browser, no app needed.

24 original backing tracks in seven styles, with an example-solo toggle, suggested scales and tips for players and singers.
Open tool →
Tap along to any song for a precise BPM, a stability score, the tempo marking and half- and double-time values. One click opens the metronome at that tempo.
Open tool →
Intervals, chord quality and a rhythm test that measures in milliseconds whether you rush or drag. Scores and progress are saved in your browser.
Open tool →A metronome is a great tool, but a teacher who hears you play can spot in minutes where your time drifts and why. Come for a free, no-commitment intro lesson at our music school in Ramat Aviv Gimel, North Tel Aviv.
Leave your details and we’ll get back to you to schedule a no-commitment trial lesson!
Leave a few details and we'll get back to you for a personal match and a trial lesson